farewell gig announced: Sept 22 at Rhythm and Brews

Family, friends, and fans:
The end of Infradig, sadly, is drawing near.  After much consideration and prayer we have agreed that it is almost time to close this chapter in our lives.  Any of you who know us well or have been following the band for a while know how monumental a decision like this was for us to make.  For most of the 8.7 years Infradig has been together, we have worked our hardest to make this band as big as possible.  Ultimately, we have come to the realization that, given the style of music that we play and our location in the world, we have done all that we can.  Though Infradig is coming to a close earlier than any of us had planned, the band has given us all more than should have expected.  Our music has given us a great fanbase, taken us all over the country, into some of the biggest music festivals in the nation, and has allowed us to create numerous CD's...a couple that we are even proud of. 
Without going too much further into our obituary, it is important to get back to the aforementioned almost.   The next few months of Infradig are to be quite eventful.  This Spring we will play our last ever Knoxville show and our next-to-last Chattanooga show.  We hope to see all of you at these performances.  Most importantly, though, is that we are beginning work on our last recording ever.  In March the absurdity begins as we start recording at the Gordon Lee Mansion in Chickamauga, GA.   There we will sip mint julips on the veranda while preparing for the biggest ever Infradig conclusion to be had in early Fall '07.  When this all drops we expect to see every one of you motherscratchers that has ever had anything to do with us pumping your collective fists in the air. 
 
Stay tuned for more details and updates.

ready for heavy lifting

infradig recently blew the doors of Rhythm and Brews. such feats of strength must be seen to be believed.   Download the show here.

Podcast with Carl
click on the image to podcast tunes from Clinical Indifference with expert naration from mr. cadwell himself.  


Clinical Indifference/The Psychology of Breathing More Reviews In:
You can order the album from this site or www.homegrownmusic.net and if you are anywhere around Chattanooga, TN, you can pick it up at Chad's.  Check out what people are saying about it:

In short, Infradig’s latest album, their third, is a daring attempt by talented musicians to both prove and outdo themselves. Luckily for all, they succeed with an intelligent, soulful, cleverly composed and eminent album.  -  Dave Terpeny, KyndMusic

Joshua Caleb Green, a subtly stupendous shredding machine, manages to wrest
rich drum sounds from what could have been a bunch of hermetic, hostile
songs.  First check out the buzzing beat and solo breaks in the title track,
and then fast-forward to the tight double strokes in "Muttering/Shrapnel."
Drumming (and listening) on the edge, this is.
-Drum! Magazine

Oozing atmospheric depth, Infradig’s newest album listens like an instrumental experiment Thom Yorke would be proud to claim as his own. So give this CD the respect it deserves by killing the lights and cranking the volume. It’s guaranteed to stretch and strengthen musical brains while producing a new definition of what can be accomplished without vocals.

-Daniel Brantley,
Southeast Performer

Serious contender for CD-of-the-Year... the promotional copy we got at the radio station is captivating, haunting, dreamy, and intense. I am blown away by what I'm hearing from Infradig right now. You're killing it. It makes me think. This is music. I'll be featuring cuts from Infradig's upcoming all-instrumental concept album, Clinical Indifference / The Psychology Of Breathing, on upcoming radio shows and podcasts from Honest Tunes Radio.
--Dgold, Honest Tunes Radio

"I am sad to say that I was one of the many folks who hadn’t been graced with the stirring and haunting presence of Infradig. Emotionally wrought harmonies intermingle and fraternize with elite song arrangements that a group like Gomez would covet."  ---J. Sin, Smother.net

"Theirs is almost the sound you would have if Aphex Twin had compiled the Silent Hill score. The spacey, atmospheric coffee house grooves and jazzy instrumental blends make for an album that is just as easy to study and concentrate on as it is to use as an aid for zoning out.  Clinical Indifference is skillfully and creatively put together. It is a largely instrumental album, for those that don’t already know or wouldn’t expect it. It’s well produced with great definition and clarity."  ---Baron, Shakefire.com         

"Infradig’s Gravel Tooth EP briefly hinted at their transformation from everybody’s favorite noodle dance house band to the swingingest electronica quartet this side of the Mississippi. With their full-length, bookended “double EP” Clinical Indifference/The Psychology of Breathing, the transformation is complete." ---Bill Colrus, Chattanooga Pulse       

"Crafted with the utmost attention to detail and a production value that rivals many major label records, Clinical Indifference is sure to become Infradig's first true opus."

        ---Bryan Rodgers, Homegrown Music Network



infradig is new groove of the month on jambands.com

check out a cool review by Mike Cooper at jambands.com and a conversation with Josh and Carl here.



CD RELEASE SHOW!!!

infradig celebrated the local relase of their new record: Clinical Indifference/The Psychology of Breathing recently at Rhythm and Brews.  The rest of the world will have to wait until October 31 for the official release of the record, but here's a review of the show:

If you have yet to see Infradig live, you must do so at your earliest convenience. The rest of the world will have to wait until Halloween for the official release of their latest creation, Clinical Indifference/The Psychology of Breathing, but a packed Rhythm and Brews CD-release party crowd got to witness first-hand their orchestrated mastery of sound Friday night.

Cadillac Jones opened the show and got everyone amped for the main show. The groove was definitely there, and everyone was in it. Infradig came out with a Carl Cadwell-led, Hammond-filled jam, and the rest of the band followed suit. By the third song, they were so deeply entrenched in the groove that there was no turning back.

A lot has been said about Infradig's move toward more intricate studio work, but their studio exploration seems to have done nothing to diminish their onstage persona. Their show was truly raw and organic, but with the precision that you only comes from great musicians. I think that's part of the wide appeal of the band: if you hear them without any presumptions, you get so much more out of the music than may even be meant to be there. Rebekah Bayless, who was in from Huntsville and had never heard the band before, said, 'Their energy was amazing; I could not sit still the entire night."

Towards the end of the set, we got a fantastic, guitar-based jam that really turned it up a notch. Even after two hours, they just kept on playing. With no break. Then, they drove into an extended jam of Boggart, a mellow, keyboard and bass tune that sounds like it was inspired by the Beastie Boys' Eugene's Lament.

They will have to take a break soon, I thought. But they just kept going.
                          -review and photo by Nathan Bosic


infradig in at #1

thanks to the Pulse and WAWL and you the listeners for giving infradig their first #1 slot in the highly prestigious Local Tracks listing.




infradig eats faces at 'roo!


thanks to all who came out to the dig's first trip to Bonnaroo.  if  you didn't get one of the 4000 limited run EP's they will soon be available on this  website along with new t-shirts. stay tuned...



Riverbend Report    

Ashlie White put together a sweet multimedia slide show from infradig at Riverbend 2006.  Check it out here.


First Review: Gravel Tooth (EP)  

As Infradig gets more entrenched in the jam band circuit, their music is leaving it. While not abandoning the fun completely, the band’s latest material is less Medeski, Martin and Wood and more DJ Shadow, shifting away from moving your booty in favor of moving your mind. Call it depth, if you like.

Gravel Tooth is the band’s most aggressively produced release to date, an engaging snapshot of material from their upcoming full-length disc. The playing here is tighter than ever, with new guitarist Bill Robinson’s edgy atmospheric contributions more than holding their own within the busy mix.

The band will be giving out—for free—a limited run of Gravel Tooth EPs at Bonnaroo and elsewhere. If, by some miracle, a copy happens to wind up your hands, give it a spin.

-Bill Colrus, The Pulse


new video clips and mp3s!
yes indeed, just when you thought it was safe some full on video clips are now viewable on the sounds page (which will have to be renamed to accurately describe the new visual treats).  more will be added soon.  also up are some new live mp3s.  have at it!


Look!  In the midst of the Herd!

Yep, it's us, now taking up residence at www.Myspace.com/InfradigMusic.  There you can find all sorts of things about us that you never knew, including what the first 3 minutes of our unreleased EP sound like!  In the future we’ll have both written and sonic updates every time we get a chance.

            So go check it out, become our ‘friend’ and enjoy the free sounds.

infradig on archive.org

you can now download 2 complete infradig shows with more to come in lossless (.shn) and mp3 formats on archive.org

click here.


From Meniscus Magazine...

How do you describe a band whose talent is so diverse that they can change from techno, to jazz, to funk, to raw rock n’ roll, back into drum-n- bass cycles all in a single CD track?  Infradig.

 On Infradig’s latest CD Kinetic Transfer they infuse every track with originality, technical musicianship, and emotion. This band from Chattanooga, Tennessee encompasses the sound of so many bands and
musicians past, that they have created their own sound for the present.

 Infradig have the patience to lead the listener into a song. This endurance allows each track on Kinetic Transfer to build into a musical masterpiece. Every track is technically composed. The repetitions intertwine, and commingle together in a developed web of sound. The breaks are beautifully timed as all four musicians bend and twist through songs together.